Franz Haas am 8. Dezember 2015 in der Neuen Zürcher Zeitung

Die vielen Erzählstimmen des Romans erinnern an die Polyfonie in Heinrich Manns «Die kleine Stadt»; sein scharfer Blick auf den ethischen Zerfall nimmt Ödön von Horváths «Jugend ohne Gott» vorweg.

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